Kora in Hell

by William Carlos Williams

XX.

1

Where does this downhill turn up again? Driven to the wall you’d put claws to your toes and make a ladder of smooth bricks. But this, this scene shifting that has clipped the clouds’ stems and left them to flutter down; heaped them at the feet, so much hay, so much bull’s fodder. (Au moins, you cannot deny you have the clouds to grasp now, mon ami!) Climb now? The wall’s clipped off too, only its roots are left. Come, here’s an iron hoop from a barrel once held nectar to gnaw spurs out of.

2

You cannot hold spirit round the arms but it takes lies for wings, turns poplar leaf and flutters off—leaving the old stalk desolate. There’s much pious pointing at the sky but on the other side few know how youth’s won again, the pesty spirit shed each ten years for more skin room. And who’ll say what’s pious or not pious or how I’ll sing praise to God? Many a morning, were’t not for a cup of coffee, a man would be lonesome enough no matter how his child gambols. And for the boy? There’s no craft in him; it’s this or that, the thing’s done and tomorrow’s another day. But if you push him too close, try for the butterflies, you’ll have a devil at the table.

3

One need not be hopelessly cast down because he cannot cut onyx into a ring to fit a lady’s finger. You hang your head. There is neither onyx nor porphyry on these roads—only brown dirt. For all that, one may see his face in a flower along it—even in this light. Eyes only and for a flash only. Oh, keep the neck bent, plod with the back to the split dark! Walk in the curled mudcrusts to one side, hands hanging. Ah well.… Thoughts are trees! Ha, ha, ha, ha! Leaves load the branches and upon them white night sits kicking her heels against the stars.

A poem can be made of anything. This is a portrait of a disreputable farm hand made out of the stuff of his environment.